Tuesday, October 9, 2018 UpdateYesterday the Academy released the accepted foreign-language films that will compete to be included in the shortlist of 9, get one of the 5 nominations and the ultimate goal, win an Oscar.
This year there are a total of eighty-seven (87) films, five short of last year ninety-two and there are quite a few countries that submit for the first time like Belarus and Malawi, for example.
Until yesterday the list had 81 countries, but there are not 6 new as 2 are out (Cuba and Kyrgyzstan) and 8 (Armenia, Australia, China, Kazakhstan, Malawi, New Zealand, Niger, Yemen) are new. There are few films that have a different English name in the official list and for post purposes the list below will have the names in the official list, even when at least one film, official English name is not the one in AMPAS list.
Last year there were twenty-seven (27) films made by a female director, this year there are only seventeen (18) which is 9 less than last year and there is a slightly lower proportion from what is the norm in the fest circuit. There is no leap again this year and wonder when female directors presence will be closer to the population proportion of 50/50, as there is no doubt in me that talent does not only belong to male directors as any human being can be/is talented no matter their gender.
Remarkable is the presence of quite a few documentaries, as year after year trend seems to go up and upper. To me, this speaks about the quality of documentaries that not only tell a compelling story but storytelling is done with breathtaking visuals. Still, one of the most extraordinary documentary filmmakers has a film in this list and as always his storytelling style is effective to generate pain, as much pain as when a knife is pushed hard into your heart, when Rithy Pahn tells another side of Cambodia's awful recent history.
Not hard to see that most films come from famous film festivals like Cannes, Venice, Moscow, Karlovy Vary, Locarno and more; what is remarkable this year is to have in list the top award winners like Cannes Palme d'Or winner and Venice Golden Lion winner plus other fests top winners such as Karlovy Vary fest and Montreal fest. As a matter of fact almost all 2018 Cannes top award winners are in list as Japan, Lebanon, Poland, Kazakhstan, Italy, Belgium, Sweden, and Ukraine's submissions are indeed Cannes top award winners! Fantastic to have all fest films competing against each other, but not so-much for me as already knew about films and usually this list gave me insights into world cinema with films that increase my must-be-seen queue. Not this year; but, hope to find one or two hidden gems that could blew my mind when eventually able to watch them like, for example, the puzzling Niger's submission.
So, that's it. Unless something happens, this is the list of what each country believes is their best film to represent them in the Academy Awards that now has more non-American, non-English mother tongue and slightly more younger members than ever before. The new demographics plus the new regulations (new ways to watch with no more color codification) and countries investing more and more into promoting their submissions, could change the category hopefully for the positive. In about two months we will learn if the many changes will prove to be a positive move, when the shortlist of 9 is announced at the end of December.
Have my favorite films that wish AMPAS could honor, most because LOVE director's filmmaking and storytelling style; but know that mostly popular films with more conventional filmmaking style could or will prevail, sigh. Still, hope Poland and Mexico's black and white unconventional submissions will stir Academy members, Turkey's extraordinary director's filmmaking style could move AMPAS members as much as it moves me, Paraguay's darkish/humorous old age reality-check story told with interesting developing style will make them feel, and Ukraine's outstanding director's drama will impact them as much as many of his documentaries have done to them and me. Sigh.
Enjoy!!!
---///---
As in previous years there will be links to sources via Pinterest, but only in the original language, my suggestion is to use Chrome for the easiest auto-translation.
Submission to AMPAS deadline is Monday, October 1st, 2018 @5:00pm PST. Female directors are in Blue.
Afghanistan: رونا مادر عظیم Rona; Madar-e Azim (Rona Azim's Mother), Jamshid Mahmoudi
Algeria: إلى آخر الزمان Ila Akher Ezaman (Until The End Of Time), Yasmine Chouikh
Argentina: El Angel (The Angel), Luis Ortega (2018 Cannes Un Certain Regard)
Armenia: ՍՊԻՏԱԿ Spitak, Alexander Kott (2018 Moscow Silver St George Best Director winner)
Australia: Jirga, Benjamin Gilmour
Austria: Waldheims Waltzer (The Waldheim Waltz), Ruth Beckermann (2018 Berlinale Forum Original Documentary Award winner) (documentary)
Bangladesh: ডুব Doob (No Bed of Roses), Mostofa Sarwar Farooki (2017 MoscowIFF Kommersant Weekend prize winner)
Belarus: Хрусталь Khrustal (Crystal Swan), Darya Zhuk (2018 Karlovy Vary)
Belgium: Girl, Lukas Dhont (2018 Cannes Golden Camera winner, Queer Palm winner, FIPRESCI Prize Un Certain Regard winner)
Bolivia: Muralla (The Goalkeeper), Rodrigo Patiño
Bosnia and Herzegovina: Ne Ostavljaj Me (Never Leave Me), Aida Begić
Brazil: O Grande Circo Místico (The Great Mystical Circus), Carlos Diegues (2018 Cannes Special Screenings)
Bulgaria: Вездесъщият Vezdesŭshtiyat (Omnipresent), Ilian Djevelekov
Cambodia: ផ្នូរគ្មានឈ្មោះ Les tombeaux sans noms (Graves Without a Name), Rithy Panh (2018 Biennale Giornate degli Autori Opening film) (documentary)
Canada: Chien de garde (Family Ties), Sophie Dupuis
Chile: ... y de pronto el amanecer (...And Suddenly The Dawn), Silvio Caiozzi (2017 Montreal fest Grand Prize of the Americas winner)
China: 邪不压正 Xie Bu Ya Zheng (Hidden Man), Jiang Wen
Colombia: Pájaros de Verano (Birds of Passage), Cristina Gallego and Ciro Guerra (2018 Cannes Quinzaine)
Costa Rica: Medea, Alexandra Latishev Salazar
Croatia: Osmi Povjerenik (The Eight Commissioner), Ivan Salaj
Czech Republic: Všechno bude (Winter Flies), Olmo Omerzu (2018 Karlovy Vary Best Director winner)
Denmark: Den skyldige (The Guilty), Gustav Möllers
Dominican Republic: Cocote, Nelson Carlo de Los Santos Arias (2017 Locarno Signis award winner)
Ecuador: A Son of Man, Pablo Agüero and Luis Felipe Fernández-Salvador y Campodónico (aka Jamaicanoproblem)
Egypt: يوم الدين Yomeddine, Abu Bakr Shawky (2018 Cannes Competition François Chalais Award winner)
Estonia: Võta või jäta (Take It or Leave It), Liina Triškina-Vanhatalo
Finland: Armomurhaaja (Euthanizer), Teemu Nikki
France: La Douleur (Memoir of War), Emmanuel Finkiel
Georgia: ნამე Namme, Zaza Khalvashi
Germany: Werk ohne Autor (Never Look Away), Florian Henckel von Donnersmarck (2018 Biennale Venezia75 Competition)
Greece: Πολυξένη Polyxéni: Mia istoría apó tin Póli (Polyxeni), Dora Masklavanou
Hong Kong: 红海行动 Hong hai xing dong (Operation Red Sea), Lin Chaoxian
Hungary: Napszállta (Sunset), László Nemes (2018 Biennale Competition, FIPRESCI prize winner)
Iceland: Kona fer í stríð (Woman at War), Benedikt Erlingsson (2018 Cannes Critics' Week SACD award winner)
India: Village Rockstars, Rima Das
Indonesia: Marlina Si Pembunuh dalam Empat Babak (Marlina the Murderer in Four Acts), Mouly Surya (2017 Cannes Quinzaine)
Iran: بدون تاريخ، بدون إمضاء Bedoune Tarikh, Bedoune Emza (No Date, No Signature), Vahid Jallivand (2017 Biennale Orizzonti Best Director and Best Actor awards winner)
Iraq: الرحلة Al Rahal (The Journey), Mohamed Jabarah Al Daradji
Israel: האופה-מברלין The Cakemaker, Ofir Raul Graizer
Italy: Dogman, Matteo Garrone (2018 Cannes Best Actor winner)
Japan: 万引き家族 Manbiki Kazoku (Shoplifters), Hirokazu Koreeda (2018 Cannes Palme d'Or winner)
Kazakhstan: Ayka, Sergei Dvortsevoy (2018 Cannes Best Actress winner)
Kenya: Supa Modo, Likarion Wainaina (2018 Berlinale Generation Kplus)
Kosovo: Martesa (The Marriage), Blerta Zeqiri
Latvia: Turpinājums (To Be Continued), Ivars Seleckis (documentary)
Lebanon: كفرناحوم Capharnaüm (Capernaum), Nadine Labaki (2018 Cannes Jury Prize, Ecumenical Jury Prize and Prix de la citoyenneté winner)
Lithuania: Nuostabieji lūzeriai. Kita planeta (Wonderful Losers: A Different World), Arūnas Matelis (documentary)
Luxembourg: Gutland, Govinda Van Maele
Macedonia: Исцелител Iscelitel (Secret Ingredient), Gjorce Stavreski
Malawi: The Road to Sunrise, Shemu Joyah
Mexico: Roma, Alfonso Cuarón (2018 Biennale Cinema Venezia75 Golden Lion Winner and SIGNIS Award winner)
Montenegro: Iskra, Gojko Berkuljan
Morocco: بورن أوت BurnOut, Nour-Eddine Lakhmari
Nepal: पंचायत Panchayat, Shivam Adhikari
Netherlands: Bankier van het Verzet (The Resistance Banker), Joram Lürsen
New Zealand: Yellow Is Forbidden, Pietra Brettkelly (documentary)
Niger: Zin'naariyâ! (The Wedding Ring), Rahmatou Keïta
Norway: Ha vil folk si (What Will People Say), Iram Haq
Pakistan: Cake, Asim Abbasi
Palestine: إصطياد اشباح Istiyad Ashbah (Ghost Hunting), Raed Andoni (2017 Berlinale Panorama Dokumente - Original Documentary Award winner) (documentary)
Panama: Yo no me llamo Rubén Blades (Ruben Blades is Not My Name), Abner Benaim (documentary)
Paraguay: Las Herederas (The Heiresses), Marcelo Martinessi (2018 Berlinale Competition, Silver Bear Alfred Bauer Prize, Silver Bear Best Actress, FIPRESCI prize, Teddy Readers' Award winner)
Peru: Wiñaypacha (Eternity), Oscar Catacora
Philippines: Signal Rock, Chito S. Roño
Poland: Zimna wojna (Cold War), Pawel Pawlikowski (2018 Cannes Best Director winner)
Portugal: Peregrinação (Pilgrimage), João Botelho
Romania: Îmi este indiferent dacă în istorie vom intra ca barbari (I Do Not Care If We Go Down in History as Barbarians), Radu Jude (Crystal Globe winner 2018 Karlovy Vary)
Russia: Собибор Sobibor (Escape from Sobibor), Konstantin Khabensky
Serbia: Izgrednici (Offenders), Dejan Zečević
Singapore: Buffalo Boys, Mike Wiluan
Slovakia: Tlmočník (The Interpreter), Martin Šulíka (2018 Berlinale)
Slovenia: Ivan, Janez Burger
South Africa: Sew the Winter to My Skin, Jahmil X.T. Qubeka
South Korea: 버닝 Beoning (Burning), Lee Chang-dong (2018 Cannes Competition FIPRESCI award winner)
Spain: Campeones (Champions), Javier Fesser
Sweden: Gräns (Border), Ali Abbasi (2018 Cannes Un Certain Regard Award winner)
Switzerland: Eldorado, Markus Imhoof (2018 Berlinale) (documentary)
Taiwan: 大佛普拉斯 Dà fó pǔ lā sī (The Great Buddha+), Huang Hsin-yao
Thailand: มะลิลา Malila The Farewell Flower, Anucha Boonyawatana
Tunisia: على كف عفريت Aala Kaf Ifrit (Beauty and the Dogs), Kaouther Ben Hania (2017 Cannes Un Certain Regard Prix de la meilleure creation sonore winner)
Turkey: Ahlat Ağacı (The Wild Pear Tree), Nuri Bilge Ceylan (2018 Cannes)
UK: I Am Not A Witch, Rungano Nyoni (2017 Cannes Quinzaine)
Ukraine: Донбас Donbass, Sergey Loznitsa (2018 Cannes Un Certain Regard)
Uruguay: La Noche de 12 años (Twelve-Year Night), Alvaro Brechner (Proyect wins 2016 Berlinale Arte International Prize, 2018 Biennale Cinema Venezia75 Orizzonti)
Venezuela: La Familia (The Family), Gustavo Rondón Córdova (2017 Cannes Semaine de la Critique)
Vietnam: Cô Ba Sài Gòn (The Tailor), Trần Bửu Lộc and Nguyễn Lê Phương Khanh
Yemen: أيام قبل الزفة 10 Ten Days Before the Wedding, Amr Gamal
Check info and available trailers @MOC
Check film posters here
To check official announcement go here.
---///---
Tuesday, October 2nd, 2018 Update
As noted below, yesterday 5:00pm PST was the submissions deadline and the most interesting compilation of films from around the world comes to an end for another year.
Until this moment, there are eighty (80) countries that submitted a film for AMPAS consideration and had some formal or informal press release, news dispatch, announcement live stream or released a tweet, a facebook post or even an instagram post. But soon the official list will be published, perhaps as sooner as last year when AMPAS announced the official list within the next week, against two-weeks or more it used to take before. The list will confirm if all eighty submissions were accepted or if some were rejected.
I'm still hoping final announcement will bring more films as still pending are Kazakhstan, Malaysia, China, Australia, New Zealand, Ireland and more. Worth mentioning is the buzz around Zhang Yimou's Shadow as China's submission, but still no official confirmation; IF film is sent then race will be truly extraordinary as one more master filmmaker joins the already crowded competition for a mention among the 9 short list, a nomination among the 5 available and the ultimate goal, to be named the Best Foreign-Language Film in the world of cinema.
No film festival in the world has a lineup of master filmmakers competing against each as this year's submissions have. Many of my most admired director have a film in the competition, starting with Nuri Bilge Ceylan, Sergey Loznitsa, László Nemes, Matteo Garrone, Nadine Labaki, Alfonso Cuaron, Pawel Pawlikowski; and in a second level, Hirokazu Koreeda, Aida Begić, Rithy Panh, Ciro Guerra, Pablo Agüero, Florian Henckel von Donnersmarck, Radu Jude, and Alvaro Brechner. Fifteen directors representing well-established filmmaking styles plus some that are still developing their own style. Also there is one newcomer with a film that made huge waves during the last festival season, Las Herederas by Marcelo Martinessi a film that could surprise many if gets a nomination.
Yes, have seen many (some I liked, some did not) and there are many more that are still pending with all this traveling that's making my life upside down. Still, have many months until next race begins to try to find the hidden gems in the list.
---///---
First time since this blog started that I'm late with foreign language films submissions to 2019 Oscars but as some of you already know, traveled to another city in another country and another continent! So there where many changes and none benefit me paying necessary attention to the blog.
On top, by the end of the month I'm going to a new city again, but best news is my hope to have more time to do what I like most, thinking/talking about great cinema. Will not skip doing the post that speaks about some of the best of World Cinema, but maybe will be slow to do all the task intensive work to find news and announcements from countries. Sigh.
As we know since last year when they change their selection procedure, the first country to announce its submission is Switzerland as does it at Locarno fest, but seems this year there were two countries that took the lead, Belarus and Romania. So the race started earlier.
